Excelente aporte, muchísimas gracias. Puede ser de tu interés (y de los seguidores del blog) acceder gratuitamente a la partitura Ricordi (canto y piano): http://imslp.org/wiki/Cassandra_(Gnecchi,_Vittorio) Gracias nuevamente, JB
Thank you very much! Such an interesting document. As for the 'plagio', apart from the orchestral introduction, there isn't much Strauss in this. Strauss had by now developed his own, very personal musical language. In the end, what matters is that Elektra is a real masterpiece and no consideration regarding possible - albeit improbable - influences will ever diminish Strauss' genius.
Thank you very much! Such an interesting document. As for the 'plagio', apart from the orchestral introduction, there isn't much Strauss in this. Strauss had by now developed his own, very personal musical language. In the end, what matters is that Elektra is a real masterpiece and no consideration regarding possible - albeit improbable - influences will ever diminish Strauss' genius.
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ResponderEliminar> Gracias!
Guillermo, revise su correo electrónico!
ResponderEliminarExcelente aporte, muchísimas gracias. Puede ser de tu interés (y de los seguidores del blog) acceder gratuitamente a la partitura Ricordi (canto y piano):
ResponderEliminarhttp://imslp.org/wiki/Cassandra_(Gnecchi,_Vittorio)
Gracias nuevamente, JB
Thank you very much! Such an interesting document.
ResponderEliminarAs for the 'plagio', apart from the orchestral introduction, there isn't much Strauss in this. Strauss had by now developed his own, very personal musical language. In the end, what matters is that Elektra is a real masterpiece and no consideration regarding possible - albeit improbable - influences will ever diminish Strauss' genius.
Thank you very much! Such an interesting document.
ResponderEliminarAs for the 'plagio', apart from the orchestral introduction, there isn't much Strauss in this. Strauss had by now developed his own, very personal musical language. In the end, what matters is that Elektra is a real masterpiece and no consideration regarding possible - albeit improbable - influences will ever diminish Strauss' genius.
Dankon!
ResponderEliminar